Showing posts with label Khmer Culture. Show all posts
Showing posts with label Khmer Culture. Show all posts

Sunday, 22 August 2010

Do You Want to Research Enigmatic Angkor Girls???

Do You Want to Research Enigmatic Angkor Girls???


I think You also want to research the enigmatic of Angkor girls. How they are???

Apsara Angkor Wat

Read out the below:

Sleuth researches enigmatic Angkor girls

Michigan State University worked with Davis to devise a mathematical trait analysis system to be used at Angkor Wat.

Michigan State University worked with Davis to devise a mathematical trait analysis system to be used at Angkor Wat.

FLORIDA-based researcher, publisher and robot manufacturer Kent Davis is rapidly gaining an international reputation as the sleuth of Siem Reap, a new age detective delving into what he sees as one of the greatest mysteries of ancient Angkor Wat – the 1780 images of anonymous and mostly bare-breasted women depicted in carvings throughout the iconic structure.

Commonly known as apsaras (or, as Davis prefers, devatas), these female images were mostly accorded little significance.

But Davis, a former resident of Siem Reap and a regular visitor to Temple Town, is sure he’s onto something. He’s sure that these women represent something decidedly significant, but he’s not quite sure what.

Who are they, he asks, and why are there so many of them depicted throughout the great Khmer temple, not to mention other temples in the Angkorian complex?

Davis is now bristling with excitement because he has science on his side, and he’s certain that soon some answers will be revealed.
Davis himself is somewhat of a mystery man and his various recent biographies reveal little about his earlier life.

But on his LinkedIn profile he simply lists his education as “Maharishi University of Management 1974-1978”.

The profile also says that in May 2009 he became an executive board member of Heritage Watch International and that in 1979 he founded RoboMedia Inc, which “has used high visibility robot celebrities to market products and services. The ‘Electronic Personalities’ robots have fascinated Europeans and North Americans with tens of thousands of live performances”.

But the bio that Davis gave 7Days dealt only with his Cambodian period. In 2005, he began travelling to the Kingdom with his Thai wife Sophaphan Laothai, who he describes as “the Thai Martha Stewart”.

In 2007 the duo funded the construction of Srei Devata Middle School in Baray, Kompong Thom, through American Assistance for Cambodia.
Shortly after, Davis established DatAsia Press to publish significant literary, academic and educational works relating to Southeast Asian
and Khmer history.

The company also publishes a specialised “life skills” curricula for elementary school children called The Million Dollar Machine.

The vigorous little publishing house has released three interesting Angkor-related books: Dr Paul Cravath’s Earth in Flower: Mystery of the Cambodian Dance Drama; Helen Churchill Candee’s Angkor the Magnificent: Wonder City of Ancient Cambodia;

and a newly completed expanded edition of George Groslier’s 1913 book, Cambodian Dancers Ancient and Modern, featuring the first printed biography of the author.

Davis also set up Devata.org to study the “goddess” images at Angkor Wat to determine the historical role of Khmer women, and later this year will publish a book on this topic titled, Daughters of Angkor Wat.

Davis said the primary objective of his work “is completing a quantitative database of every woman honoured at Angkor Wat by tracking 65 characteristics for each carving. This will enable, for the first time in modern history, mathematical trait analysis among the entire complex population”.

To this end, in 2008 Davis initiated a cooperative facial pattern recognition study with Dr Anil Jain and his team at Michigan State University’s Department of Computer Science and Engineering.

Last week Davis issued a press release announcing that initial findings will be revealed by the MSU team on August 22 during the International
Conference on Pattern Recognition in Istanbul, Turkey.

Davis hails this as “the release of the world’s first scientific study of the devata, titled Clustering Face Carvings: Exploring the Devata of Angkor Wat”.

In Davis’s press release, he says, “Scientists at this year’s International Conference on Pattern Recognition will be considering one particularly captivating mystery: Who are the beautiful women portrayed in the 12th century temple of Angkor Wat?

“Angkor Wat contains the most extraordinary ancient portrait gallery in the world, and every subject honoured is a woman.”

Davis wraps up the release by saying, “Ultimately, this objective comparison tool could enhance anthropological, sociological and historical understanding of this and other ancient civilisations. With this new study, the ignored ancient women of Angkor Wat are one step closer
to claiming their royal status in world history.”

But not all archaeologists share Davis’s enthusiasm for the theory.

In February 2009, the Phnom Penh Post featured a news story about the involvement of Michigan State University in Davis’s research and few days later the Southeast Asian Archaeology Newsblog, responding to the Post’s article, carried an item saying, “His theory is that because of the thousands of apsara images that adorn the walls of the temples, Angkor was built to glorify women. Does it sound like a Da-Vinci-Code-sacred-feminine flavour transposed onto the Southeast Asian context to you?

“Of course, we should just ignore the architecture, the royal inscriptions and historical accounts that suggest that buildings of Angkor were temples
to Khmer gods.”

This sparked a spirited thread of comments from readers including a comment from someone called Nemi who said Davis’s theory was a “little bit like saying that the Playboy mansion is a tribute to women”.

Davis, of course, weighed in with a 2150-word defence of this theory.

And really, who can knock him? He’s a fascinating man with a fascinating theory, and whether he can prove it is open to question. But he’s touched on an aspect of the temples which, to date, has been mostly overlooked, and he’s at least created an interesting debate.

sourced=phnompenhpost

A Lady Tries to Follow Apsara Style (photobucket)

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Thursday, 1 July 2010

Most Beautiful Photos of Angkor Wat, Siem Reap, Cambodia

Most Beautiful Photos of Angkor Wat, Siem Reap, Cambodia:


1. Monkey at Angkor Wat:


2. Angkor Wat Temple:


3. Angkor Wat Temple:


4. Angkor Wat in the evening:


5. Angkor Wat in the evening:


6. Angkor Wat in the morning:

7. Pond around Angkor Wat temple:

8. Angkor Wat in day time:


9. Angkor Wat:


10. Monkey at Angkor Wat:

11. Angkor Wat from far:


12. Cambodian Monks visiting Angkor Wat temple:



13. Apsara Sculpture on Angkor Wat temple Wall:

Please enjoy the photos from Angkor Wat temple, The Kingdom of Wonder, Cambodia!!!

And please spend some days to visit the kingdom!

Thanks!

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Wednesday, 25 November 2009

Khmer|Cambodian Delicious Foods Ever[Photos]>>>Hungry...Hungry!

Khmer cuisine is another name for the food widely consumed in Cambodia. The food of Cambodia includes tropical fruits, rice, noodles, drinks, dessert and various soups.

The staple food for Cambodians is rice. Almost every meal includes a bowl of rice, although noodles are also popular. A wide range of curries, soups and stir fries are served with rice. Many rice varieties are available in Cambodia, including aromatic rice and glutinous or sticky rice. The latter is more commonly found in desserts with fruits like durian.

Khmer Cuisine shares much in common with the food of neighbouring Thailand, although it is generally not as spicy; and Vietnam, with whom it shares many common dishes and a colonial history, both being part of the French colonial empire in Southeast Asia. It has also drawn upon influences from the cuisines of China and France, both of whom are powerful players in Cambodian history. Curry dishes, known as kari (in Khmer) show a trace of cultural influence from India. The many variations of rice noodles show the influences from Chinese cuisine. Rice noodle soup, known simply as Kuyteav, is a popular dish brought to Cambodia by Chinese settlers from generations past. Also, Banh Chiao is the Khmer version of the Vietnamese Bánh xèo. A legacy of the French is the baguette, which the Cambodians often eat with pâté, tinned sardines or eggs. One of these with a cup of strong coffee, sweetened with condensed milk, makes an excellent breakfast that will set one up for day.

Typically, Cambodians eat their meals with at least three or four separate dishes. A meal will usually include a soup, or samlor, served alongside the main courses. Each individual dish will be either sweet, sour, salty or bitter. Chili is usually left up to individuals to add themselves. In this way Cambodians ensure that they get a bit of every flavour to satisfy their palates.


The following is the Khmer or Cambodian Delicious Food-Photos, I would love to share with you:

Please comment after seeing the photos,Thanks!

Sour chicken soup [Photo on Flickr by rockYoface]

Teuk prahoc sach ko (grilled beef with prahoc dipping sauce) [Photo on Flickr by duxyak]

Khmer Food: Nhoam (Salad) [Photo on Flickr by rockYoface]

Khmer Food: Lok Lak [Photo on Flickr by rockYoface]

Lemongrass chicken/ shrimp coconut soup [Photo on Flickr by rockYoface]

Bok Lahong (papaya salad) [Photo on Flickr by rockYoface]

Prohok-Khtis and Amok [Photo on Flickr by Viirak]

Another Papaya Salad (Bok Lahong) [Photo on Flick by sampoch production]

Khmer BBQ Chicken [Photo on Flickr by Taekwonweirdo]

Khmer Food: Crab (Kdam Tramm) with delicious Mango [Picture on Flickr by May-Ong ]

S'ngoaw Ch'rouk Trey (Sour Soup with Fish) [Photo on Flickr by xWanna]

Khmer Appetizer [Photo on Flickr by ssour]

Khmer Food: Cambodian Noodle (Numm Banh Chok) [Photo on Flickr by Liz and Karim]

Khmer Food: Bor Bor (Porridge) [Photo on Flickr by kenneth07]

Khmer Food: Beef Balls Soup [Photo on Flickr by kenneth07]

Squid Food Cambodia [Photo on Flickr by hn.]

Are you hungry now?
Please come to visit Cambodia to have a try on Cambodian Foods, Khmer Foods!

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Monday, 13 July 2009

Discover Cambodia: Cambodia Tour

Have you ever visited Cambodia? If you not yet visited, Please enjoy Cambodia tour with video below or spend some days to visit the Kingdom of Wonder, Thanks!

1. First video: Discover Cambodia today!Meet the people and learn about the culture and history of Cambodia!In this video we will take you to the old Khmer city "Phnom Da" by boat and join the Khmer religion ceremony...





2. Second video: Visit the palace that built during the French's and take a Cambodian Express Train..stop by at the Beer Garden and Enjoy Khmer Karaoke and dance..By the way you will explore Sihanouk ville...





3. Third video: Visit the Killing Fields and S-21 Khmer Rouge torture chamber. Explore the central markets "Phsar Thmei and taste the food there "cricket and many more ...visit the Royal Palace by riding a motodup...





4. Fourth video: Take a boat trip to Siem Reap Angkor and explore Tonlesap river and the floating houses...Try Khmer palm wine with fry daddy and baby frogs...finally you will see the most beautiful Angkor Wat...




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One of 1000 Places to Go Before You Die

Cambodia is a country rich of tourism resources. That is why it is listed in one of 1000 places to go before you die...Please watch videos below:













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Wednesday, 24 June 2009

Cambodia: Kingdom of Wonder-KamPuChea: Preah ReaCheaNaChak AChhakRakYeak


This post I would like to share with you a Cambodian popular video song with the title: "Kingdom of Wonder" sung by Preab Sovath and Sokun Nisa. This is one of the songs in Best of The Best 2009 concert. The concert was celebrated on 2nd of February 2009 at Naga World Hotel, Phnom Penh, Cambodia. Best of The Best 2009 was created in a cooperation between Cambodian Ministry of Tourism and Reak Smey Hang Meas Company in the purpose of showing the world about the potentiality of Cambodian tourism, especially to make the world know about Cambodia as "Cambodia: Kingdom of Wonder". Cambodian artists who joined Best of the Best 2009 include Mr. Preab Sovath, Pich Sophea, Chhorn Sovann Reach, Sokun Nisa, Sapun Midada, Chhit Sovann Panha, Nop Panharith, Oak Sokun Kanha, Sok Reaksa, Rin Saveit and other artists like Prum Marnh, Cambodian comedian groups: Neay Krem and Neay Koy.

To know the meaning of the song, please enjoy watching the video below:



Cambodia: Kingdom of Wonder-Kam Pu Chea: Preah Rea Chea Na Chak A Chhak Rak Yeak:

- Welcome to Cambodia!--Som Sva Kum Mork Kann Kam Pu Chea

- Happy to see you here Cambodia!--Riik Reay Doy Barn Chuob Neak Nov Kam Pu Chea!

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Thursday, 11 June 2009

Khmer Art-Cambodian Art (more)


[Photo by Yllavm on Flickr: Apsara Sculpture]

In my previous post about Cambodian art, I have already mentioned the 2 points, Khmer Dance and Khmer music, that show the world how the Cambodia's art it is that makes the country to be known as a country rich of culture. In addition to the previous two points, today, please find out more about the Cambodian art with one more important point below:

3. Khmer Visual Arts: The history of visual arts in Cambodia stretches back centuries to ancient crafts. Traditional Cambodian arts and crafts include textiles, non-textile weaving, silversmithing, stone carving, lacquerware, ceramics, wat murals, and kite-making.

Khmer Visual Arts can be divided into two types:

- Khmer traditional visual art and

- Modern and contemporary visual arts

a.Traditional visual art: is a kind of visual art including Textiles, Non-textile weaving, Stone carving, Lacquerware, Silversmithing, Ceramics, Temple murals, Masks, Kites...

Textiles (Silk Weaving)


[Photo by Wikipedia: Cambodian woman weaving silk near Siem Reap]


[Photo by christopherlevy on Flickr: Khmer Textile]

Silk weaving in Cambodia has a long history. The practice dates to as early as the first century, and textiles were used in trade during Angkorian times. Even modern textile production evidences these historic antecedents: motifs found on silk today often echo clothing details on ancient stone sculptures.

Cambodia's modern silk-weaving centers are Takeo, Battambang, Beanteay Meanchey, Siem Reap and Kampot provinces. Silk-weaving has seen a major revival recently, with production doubling over the past ten years. This has provided employment for many rural women. Cambodian silk is generally sold domestically, where it is used in sampot (wrap skirts), furnishings, and pidan (pictoral tapestries), but interest in international trade is increasing.

Cotton textiles have also played a significant role in Cambodian culture. Though today Cambodia imports most of its cotton, traditionally woven cotton remains popular. Rural women often weave homemade cotton fabric, which is used in garments and for household purposes. Krama, the traditional check scarves worn almost universally by Cambodians, are made of cotton.

Non-textile weaving


[Photo by Oziahz: Basket Weaving]

Many Cambodian farmers weave baskets (Khmer: tbanh kantrak) for household use or as a supplemental source of income. Most baskets are many of thinly cut bamboo. Regions known for basketry include Siem Reap and Kampong Cham. Mat weaving (tbanh kantuel) is a common seasonal occupation. They are most commonly made from reeds, either left a natural tan color or dyed in deep jewel tones. The region of Cambodia best-known for mat weaving is the Mekong floodplain, especially around Lvea Em district. Mats are commonly laid out for guests and are important building materials for homes. Wicker and rattan crafts (tbanh kanchoeu) made from dryandra trees are also significant. Common wicker and rattan products include walls, mats, furniture, and other household items.

Stone carving (Sculpture)


[Photo by Felix_KL on Flickr: Apsara dancers carved in stone at Angkor Wat temple, Siem Reap, Cambodia. 2006]

Cambodia's best-known stone carving adorns the temples of Angkor, which are "renowned for the scale, richness and detail of their sculpture". In modern times, however, the art of stone carving became rare, largely because older sculptures survived undamaged for centuries (eliminating the need for replacements) and because of the use of cement molds for modern temple architecture. By the 1970s and 1980s, the craft of stone carving was nearly lost.

During the late 20th century, however, efforts to restore Angkor resulted in a new demand for skilled stone carvers to replace missing or damaged pieces, and a new tradition of stone carving is arising to meet this need. Most modern carving is traditional-style, but some carvers are experimenting with contemporary designs. Interest is also renewing for using stone carving in modern wats. Modern carvings are typically made from Banteay Meanchey sandstone, though stone from Pursat and Kompong Thom is also used.

Lacquerware


[Photo by Wikipedia: A Cambodian woman works on a lacquered vase]

The height of Cambodian traditional lacquerware was between the 12th and 16th centuries; some examples of work from this era, including gilded Buddha images and betel boxes, have survived to the present day. Lacquerware was traditionally colored black using burnt wood, representing the underworld; red using mercury, representing the earth; and yellow using arsenic, representing the heavens. Lacquer on Angkorian stone dates to the 15th or 16 century.

In modern Cambodia, the art of lacquerwork nearly faded into oblivion: few lacquer trees survived, and lacquer was unavailable in local markets. Today's revival is still in its infancy, but 100 lacquer artists have been trained by a French expert under the guidance of Artisans d'Angkor, a company that produces traditional crafts in village workshops. Some artists are "beginning to experiment with different techniques and styles...to produce modern and striking effects."

Silversmithing


[Photo by Wikipedia: Lotus-shaped Cambodian bowl (gold and silver alloy)]

Silversmithing in Cambodia dates back centuries. The Royal Palace traditionally patronized silversmiths' workshops, and silversmiths remain concentrated at Kompong Luong, near the former royal capital Oudong. Silver was made into a variety of items, including weaponry, coins, ceremonial objects used in funerary and religious rituals, and betel boxes. During Cambodia's colonial period, artisans at the School of Fine Art produced celebrated silverwork, and by the late 1930s there were more than 600 silversmiths. Today, silverwork is popular for boxes, jewellery, and souvenir items; these are often adorned with fruit, fire, and Angkor-inspired motifs. Men produce most of the forms for such work, but women often complete the intricate filigree.

Ceramics


[Photo by kendrickhang on Flickr: Khmer Ceramics and Bronzes Revival Center, Siem Reap, Cambodia]

Cambodian pottery traditions date to 5000 BCE. Ceramics were mostly used for domestic purposes such as holding food and water. There is no evidence that Khmer ceramics were ever exported, though ceramics were imported from elsewhere in Asia beginning in the 10th century. Ceramics in the shape of birds, elephants, rabbits, and other animals were popular between the 11th and 13th centuries.

Potting traditionally was done either on a pottery wheel or using shaping tools such as paddles and anvils. Firing was done in clay kilns, which could reach temperatures of 1,000–1,200 °C, or in the open air, at temperatures of around 700 °C. Primarily green and brown glazes were used. In rural Cambodia, traditional pottery methods remained. Many pieces are hand-turned and fired on an open fire without glaze. The country's major center for pottery is Kompong Chhnang Province. In modern Cambodia, the art of glazed ceramics faded into oblivion: the technique of stoneware stop to be used around 14th century, at the end of Angkor era. Today this technique begin a slow revival through a Belgian ceramist who founded the Khmer Ceramics Revival Center, in Siem Reap, the organization lead vocational training and researches about this lost skill.

Wat murals (The murals in the temple)


[Photo by ultrapop design on Flickr: Wat mural]

Because of destruction during recent war, few historic wat murals remain in Cambodia. In the 1960s, art historians Guy and Jacqueline Nafilyan photographed 19th-century murals, providing a record of this lost cultural heritage. The best known surviving murals are at the Silver Pagoda in Phnom Penh, Wat Rajabo in Siem Reap province, and Wat Kompong Tralach Leu in Kompong Chhnang Province. In the last decade, wat murals have seen a resurgence, but Cambodia's surviving older murals are generally more refined and detailed.

Masks


[Photo by nuke_ad on Flickr: Khmer Traditional Mask]

Masks are usually used by the artists for performing in Lakhaon Khaol in the Royal Palace in performances of the Reamker as early as the 13th century. Masks also used by Chhayam performers (Sva:Monky, Yeak:Giant...) to make fun in their performing.

See More at: http://www.culturalprofiles.net/cambodia/Directories/Cambodia_Cultural_Profile/-1831.html

Kites


[Photo by Narith5 on Flickr: A boy with a kite]


[Photo by Narith5 on Flickr: A boy with a high flying kite]

Cambodia's kite-making and kite-flying tradition, which dates back many centuries, was revived in the early 1990s and is now extremely popular throughout the country. Kites (Khmer: khleng ek) are generally flown at night during the northeast monsoon season. A bow attached to the kites resonates in the wind, producing a musical sound. They usually see Khmer people (especially children) fly their kites after havesting.

b.Modern and contemporary visual arts


[Photo by TaylorMiles on Flickr: Khmer painting, Overpriced painting, Angkor Wat]

Cambodia's tradition of modern (representational) drawing, painting, and sculpture was established in the late 1940s at the School of Cambodian Arts (later called the University of Fine Arts), where it occupied occupied much of the school's curriculum a decade later. These developments were supported by the government, which encouraged new areas of specialization (e.g. design and modern painting) at the school and purchased modern art for the Prime Minister's residences and for government buildings. Galleries opened in Phnom Penh during the 1960s, and cultural centers hosted exhibitions of modern paintings and provided art libraries. During the subsequent Khmer Rouge era, many artists were killed and art production nearly ceased.

After the fall of the Khmer Rouge, artists and professors returned the University of Fine Arts to rebuild arts training. Socialist Bloc governments sponsored the education of young art students in Poland, Bulgaria, the former Soviet Union, and Hungary during the late 1980s and early 1990s. Other local efforts aimed to re-establish workshops, collect documents, and preserve traditional knowledge.

Though several galleries present changing exhibitions in Phnom Penh, the vast majority of artists cannot support themselves through exhibitions and sales of modern work. Artists generally earn income from Angkor-inspired art for tourists or from painting commercial signs and large reproductions that in the West would be mechanically produced.

Several broad schools of art exist among modern Cambodian artists. Some artists, including Som Samai (a silversmith), An Sok (a mask-maker), and Chet Chan (a painter) follow colonial traditions to produce traditional Khmer art. Chhim Sothy's work is also derived from these traditions. Many young artists who studied abroad in the 1980s, including Phy Chan Than, Soeung Vannara, Long Sophea, and Prom Sam An, have presented a modern Khmer art forms combining subjects from Khmer art with Western modernism. Other notable Cambodian artists include Leang Seckon, Pich Sopheap, Svay Ken, Asasax, Chhan Dina, Lam Soeung, and Chhorn Bun Son. During the 1990s, Cambodia saw the return of many members of the Khmer diaspora, including several internationally recognized artists. Among these are Marine Ky and Chath Piersath.

These Khmer arts make Cambodia to be known as a country rich of culture......

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Wednesday, 20 May 2009

Khmer Art-Cambodian Art

[Photo by VIPNYC on Flickr: Apsara Dancers, Cambodia]

All the countries around the world always have their own cultures to distinguish from other countries in this world. Talking about art, Art is an important part of the culture of each country, that means through the activites of art, people in other countries can know what and where that country is. Meanwhile Cambodia is a country also known as a country rich of culture. How the Cambodia's art it is that makes the country to be known like that? Please take a look at the serveral points:

1. Khmer Dance-Cambodian Dance: The special features of Khmer Dance are based on its style of dancing, types of dance or its forms of dance. Each style has its own meaning, the way to dance is abit different from each other. In what way that it has the difference. Well, the point is that when and where the dance will be celebrated, Example: The Dance in Royal Palace has its own style, which type of dance should be chosen for dancing to pleasure the king. And it's also depended on the occasion which it will be chosen.

There are 3 main categories of Khmer dance-Cambodian dance:

a. Classical Dance: Khmer classical dance, also known as Khmer royal ballet or Khmer court dance, is a form of Cambodian dance originally performed only for royalty. It is called robam preah reachea trop in the Khmer language, which means 'dances of royal wealth.'

The ones among the well know royal ballet, Apsara Dance is a major dance which firstly performed on the re-creation by princess Norodom Bopha Devi, the first Daughter of King Norodom Sihanouk at 1964.

[Photo by Wikipedia Apsara Classical Dance of Princess Bopha Devi, Cambodia]

The following is the selected list of the Khmer Classical Dance:


-Apsara Dance: A dance about the apsara named Yaovamalya and her servants picking flowers for her in a garden.
-Tep Monorom: A dance about angels dancing in delight and Powering from the god to recuse the people.
-Robam Thvay Preah Por: A dance presented to the King of Cambodia.
-Robam Phuong Neari: A dance concerning the beauty of flowers and maidens.
-Robam Moni Mekhala: An excerpted dance about Manimekhala with Ream Eyso (Parashurama) in pursuit of taking away her crystal ball.
-Robam Sovann Maccha: An excerpted dance from the Reamker about Hanuman' and Suvannamaccha, the golden mermaid.

b. Folk Dance: Folk dances here refer to a performing art where it is performed for an audience.Khmer Folk dances show about Khmer daily life activities like fishing, harvesting..etc. Khmer folk dances are fast-paced. The movements and gestures are not as stylized as Khmer classical dance. Some folk dances are about love, or are folktales about animals. The kind of dance particularly performed depends on the area and its local birthplace. The most famous of all, Robam Trot, is mainly performed during the Cambodian New Year. The Dance got its history along a legend about a hunter and deer.

[Photo by Wikipedia Cambodian Daily Life Folk Dance, Robam NeiSart, Fishing Dance, Cambodia]


The following is the well known selected list of Khmer Folk Dance:

- Trot Dance: a popular dance represent a tales of a hunter and a deer who spread several danger between gaint to ogress and peacock.Trot Dance perform to chase away bad luck, just like Dragon dance during Chinese New Year.Its history know as came from Samrey People who is one of the most khmer enthic group and now live at Kulean Mountain area, Svay Leu District, Siem Reap. Another than Cambodia, Khmer Surin also likely act the dance out as well with a similar song which combined between Khmer Language and Thai Language.
- Pailin Peacock Dance: a dance which highly focus on Peacock style included Dress and Movement style.A enthic group in Cambodia, Kola people in Pailin which come from Burma, create this dance depend on burma costume.
- Yike Dance: The Dance is comfirm with opera combination with dance, perform along the legend of gaint and royalty.It originally was born in Java.
- Chhayam: A dance illustrates about enjoyable and a well know entertain dance included several active comedian and a beautiful girl dance.The dance performanced at a holiday and is a pure khmer dance. The Chhayam dance is usually performed during Kathen Festival, a kind of Khmer festival usually celebrated once a year at Pagoda from the middle of October to the middle of Novervember which lasts for a month.

[Photo by Ouddompheap2.blogspot.com , Robam Chhayam, Kathen Festival, Cambodia]


c. Vernacular Dance or social dance

In Cambodia, vernacular dance (or social dance) are dances which are danced at social gatherings. Such dances include Ram Vong, Ram Kbach, Ram Saravan, Lam Leav (literally: "Lao dance") and so on. Some of these dances have much influence from the traditional dances of Laos. But Ram Kbach, for example, take heavily from the classical dance of the royal court. Rom Kbach is a simple dances which uses hand gesture similar to that of classical dance and Rom Kbach song also utilize the melodies of classical dance songs and combine them with traditional Khmer and Western instruments.
Other social dances from around the world have had an impact on Cambodian social culture include the Cha-cha, Bolero, and the Madison. Such dances are often performed at Cambodian wedding receptions and banquets.

2. Khmer Music-Cambodian Music: Can we dance without music? Yes we can, but this kind of dance would be no style, no form, no rhythm, or no cadence. Dancing always goes with music. How the rhythm of music is, the style of dance would follow the rhythm of the music. The Khmer Dance and Khmer Music are also the same.

Khmer Music can be devided into two categories:

a. Folk and classical music

Cambodian folk music is highly influenced by ancient forms as well as Hindu forms. Religious dancing, many of which depict stories and ancient myths, are common. Some dances are accompanied by a pinpeat orchestra, which includes a ching (cymbal), roneat (bamboo xylophone), pia au (flute), sralai (oboe), chapey (bass banjo), gong (bronze gong), tro (fiddle), and various kinds of drums. Each movement the dancer makes refers to a specific idea, including abstract concepts like today (pointing a finger upwards). The 1950s saw a revival in classical dance, led by queen sisowath Kosmak Monyrat. To find out more about Traditional Cambodian musical instruments, please visit here!

b. Popular music

Cambodian pop music, or Cambodian modern music is usually presented in Cambodian Karaoke VCDs with the most popular rhythm Ram Vong, Ram Kbach, Saravann, Lam Leav, and usually of an actor, actress or both making the actions, usually by mimicking the lyrics to the background song by moving their mouth as if they were actually singing the song. Noy Vannet and Lour Sarith are some of the modern singers who sing the songs for use with the Karaokes usually of the songs composed by Sin Sisamouth or others, in addition to the songs sung and composed by Sin Sisamouth himself.

Please enjoy watching Cambodian Karaoke from Youtube Video below and how do you thing about Cambodian popular music:

- The first Video is a kind of Music Ram Vong, including two songs, the first song has the title "Mei Mai Kon Muoy" in English "Widow with one child" with the short meaning "Cool rice is rice, Widow is woman...Widow with one child is hot...". The song is sung and performed by Sopheap and Marima. And the second song with the title"Som Kann Day Mun Reab Kar" in English "Please Let me hold your hand before marriage" sung and performed by Sopheap and Soksoaphea. Please enjoy dancing! To know how to dance Ram Vong style, please visite here !



- The second video is a KARAOKE song with Ram Kbach style:




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